Scotland is Calling
Campaign launch: 2021
Audience: global
Scotland is Calling was established as part of our COVID-19 recovery approach.
Our marketing campaigns shine a light on Scotland as a world-class visitor destination. Using the latest insights, tools, and technologies we get our message in front of the right audiences, at the right time.
On this page you will find an overview of our previous campaigns.
Campaign launch: 2021
Audience: global
Scotland is Calling was established as part of our COVID-19 recovery approach.
Throughout all phases, we wanted to move audiences along the visitor lifecycle; growing awareness and inspiring them with all that Scotland has to offer.
The campaign activity focused on the see, think, plan, and do stages of the visitor journey. It supported this with a programme of owned, earned, intermediary, and partnership marketing activities.
Our campaign aimed to show people what they are missing out on if they don’t visit Scotland. What could they not get elsewhere? It drew on those deep-rooted emotional connections.
It largely spoke to the core theme of connection. It allowed for flexibility across a range of formats, and always put our communication channel and audience first.
We created noise and urgency to visit with inspiring, light-hearted content. We used novel visual hooks that we knew resonated with the markets. Wherever possible, we made our media and creative PR-worthy.
Read more about connection and reconnection travel on afar.com.
We took a storytelling approach to our campaign creative, focusing on:
This raised awareness of Scotland by sharing inspiring video and image adverts to specific audiences. The activity was timed to take into account audience booking windows and encourage seasonal spread.
This was supported by an integrated mix of influencer marketing, PR, organic social, and content marketing.
Paid media included social media channels like Instagram and Facebook. On these, we reached a large volume of experience seeker audiences in the UK.
These were flexible, low-cost, high-reach channels, that we knew audiences were using to search for travel inspiration.
For the UK audience, we encouraged autumn / winter domestic breaks and pipeline visits for early spring 2024.
Instagram and Snapchat were used to reach the American market. Snapchat users in America skewed older than the UK. The US activity was timed to build awareness and instigate planning stages of visitor journey for 2024 pipeline.
Targeted video advertising on Connected TV (Paramount Plus and Disney+) were also used. This was to maximise awareness and our reach in the United States.
These were joint, paid, and in-kind opportunities extend the reach of our campaign messaging to audiences. These came in the form of trusted high impact partnerships, and their wide network of channels and communities, including:
Strategic online travel agency partnerships reached warm audiences with travel intent, ready to book. They helped us reach visitors where they were searching and booking travel and pitched Scotland as a destination.
These partnerships gave us invaluable live search and booking insights to understand how and when people were booking. This helped refine our planning and targeting to support seasonal and regional spread.
Online travel agency partnerships included:
The Expedia partnership encouraged bookings to Scotland through autumn / winter 2023 and into spring 2024.
Expedia had the largest market share of online travel agents in the United States. This offered us considerable reach to our experience seeker audiences.
The Expedia activity allowed us to support travel, accommodation, and experiences in Scotland.
Skyscanner let people easily search and book their trip through a tailored mix of digital channels and content. This activity helped us support direct flight routes from Germany to Scotland.
We matched demand with supply across regional and sector priorities. There was an option for regional partner upweight of activities.
We focused on the "see", "think / plan", and "do" stages of the visitor journey. We targeted life stage, attitudes, and behaviours within key markets.
Our marketing activities are year-round via, for example, our own communication channels and that of our partners.
We put most resources into our campaign for the months of October 2023 – March 2024. Doing so lead to optimal engagement with visitors and has the highest chance of turning "lookers" into "bookers".
Content designed for the audience and channel in mind, based on market motivators, such as:
worldwide - wellbeing, and escapism
United States - film & TV, and ancestry
UK - connecting with family and friends
Joint funded partnerships with key operators delivered collective reach and impact. Value added media and content partnerships was leveraged within this mix. Partners included:
Avanti
Caledonian Sleeper and Glasgow Life
DFDS
LNER
Scottish Canals
ScotRail
Sustrans
Campaign launch: 2021
Audience: UK
Launched in the summer of 2021, Now is Your Time, aimed to inspire people across the UK to enjoy days out and staycations across Scotland, thus supporting the much-needed recovery of the industry and providing a safe way to enjoy a break. The campaign covered five themes:
Consumer insight was telling us that consumer hesitancy remained around booking holidays during the summer 2021 period. At the same time people were also craving the escapism and connection that a day trip or short break offered them.
The campaign used a combination of paid media and digital activity, including online video distribution and social media.
It aimed to inspire visitors by the sheer diversity of Scotland’s offering and encourage them to book a summer trip. At the same time educating them on how to enjoy the country responsibly and respectfully.
Video distribution activity collectively achieved 4.7 million video views.
Content partnerships with Marie Claire and Conde Nast achieved almost 53,000 page views and strong dwell times of up to 03:19 demonstrating strong engagement with the content.
Campaign launch: 2020
Audience: global, organic
Facing the biggest challenge, the tourism industry had ever experienced, we needed to demonstrate leadership and sensitivity when communicating with our audiences.
The campaign launched during the COVID-19 pandemic, ahead of the Easter holidays, a traditionally busy time for the tourism industry. It was a virtual hug to fans of Scotland, near and far. A heart-warming film asked them to dream about a trip to Scotland now, but to travel later.
Created by our marketing team while working from their own homes. The short film reminded visitors what Scotland has to offer. Triggering memories of previous visits and, most importantly, reminding audiences that whilst a visit wasn’t possible right then, it would be once again in the future.
Built around the idea that "absence makes the heart grow fonder", the film features stunning visuals from Skara Brae in Orkney to Loch Ken in Dumfries and Galloway, from Airlie Monument in Angus to Dunnottar Castle in Aberdeenshire, amongst many others.
The video was shared through our own channels, achieving over 49,000 views organically on our English YouTube channel alone.
People were encouraged to help spread the message further by sharing the short film across their social channels. It was also made available with subtitles in German, Spanish, French, Dutch, Italian and Mandarin.
Campaign launch: 2019
Audience: global, UK, US, Germany, France, China
The creative proposition, Only in Scotland, was identified to appeal across markets, segments and geographical locations.
Find out more about our target markets.
Its aim, to bring our products and experiences to life in an emotive and engaging way. A platform to showcase the unique experiences a visitor can have only when in Scotland.
We kept storytelling at the very heart of our strategy and worked within a creative and content calendar framework to deliver stories shaped by our values and the visitor motivators and emotional drivers for a holiday in Scotland.
An integrated mix of paid, owned, earned and intermediary activity maximised channels to market. Research identified key emotional drivers for our audiences to be:
Published October 2019
How emotional drivers for a holiday can translate into experiences in Scotland.
Our objectives were to stimulate new and sustainable growth in the visitor economy and drive regional and seasonal spread of visitors.
Our integrated activity across markets included media partnerships with Channel 4 and Stylist Magazine in the UK, Matador and NBC in North America, Geo and Walden in Germany, Le Figaro and Tetu Magazines in France, and Mafengwo, WeChat and Weibo in China, amongst others.
We also worked with intermediary partners to move visitor interest to bookings and conversion, including online travel agents such as Expedia, Hotels.com, Booking.com, Priceline, TUI, and CTRIP.
Complementing our video content, we developed a podcast series called Tour Guide Tales which brought stories from the length and breadth of Scotland to life in audio format.
These include Aberdeen Art Gallery, Falkland Palace, Johnsons of Elgin, and Annandale Distillery. Each episode was accompanied by a short promotional animated video.
Listen to our podcast series on podcasts.apple.comCampaign launch: 2018
Audience: global
Research told us that awareness for Scotland against its competitive set was relatively low. Where there was awareness, the positive sentiment was strong. Further insight uncovered that natural landscapes, history, and our welcome performed well.
However, further attributes and strengths, like inclusivity, open-mindedness, innovation, inspirational culture, vibrant cities, world-class creative industries, and education, underperformed and were recognised as key to setting us apart.
As competitor nations around the world stepped up their game, and the world of migration, investment, business, and travel evolved, Scotland required a coordinated effort to sustain and its global reputation in order to drive economic benefit and unlock potential.
We worked in partnership with the Scottish Government, Scottish Development International / Scottish Enterprise, and Universities Scotland, we sought to maximise our collective resources and expertise to face into this challenge.
We developed a single marketing platform, network, and narrative. This not only showcased Scotland as a diverse and progressive destination for visitors, but also appealed to those looking to live, work, study, or do business.
Scotland is Now was established to galvanise support from partners and across Scotland.
A new team maximising partner talent and resources, a centralised digital infrastructure ,and creative proposition were developed. All with the aim of celebrating our national stories and building an enduring identity based on our core attributes as a country.
We launched our brand film at a series of key events and across channels in April 2018, including in China by the First Minister of Scotland, in New York at Tartan Week, and in San Francisco and London. This was followed by:
The visual identity of the campaign purposefully departed from the norm to challenge perceptions of Scotland and reflect Scotland as a modern, innovative, and creative nation.
The initiative aimed to put Scotland on the top of everyone’s "now" list.
The campaign reached a sixth of the UK’s population on launch day alone. It was also in the top 10% of YouTube’s ads on performance, outperforming Apple, and BMW in April 2018.
Between launch and the end of 2019, 15 campaigns were run under the Scotland is Now umbrella, resulting in more than 181 million video views.
Over 221 million people were reached worldwide via paid media alone and there were more than 1.5 million uses of the hashtag #ScotlandIsNow. The partnership also grew to include further national partners, Creative Scotland, and Scotland Food & Drink.
Scotland’s performance in our National Brand Index continues to improve, showing growing recognition of our key promoted attributes and reputational impact.
In 2020, we were voted one of the top five most admired place brands in the world by Anholt-Ipsos City Nation Place Survey, alongside New York, New Zealand, Amsterdam, and London.
We continue to work in close collaboration with partners to support, shape, and amplify the Brand Scotland work. The core team is now embedded within Scottish Government marketing.
Find more information on scotland.orgCampaign launch: 2016
Audience: UK, US Germany, and France
In 2016, Spirit of Scotland was our biggest global visitor marketing campaign to date. It sought to create a strong universal destination identity maximising our jaw-dropping imagery and stirring content. The campaign evoked the emotion, spirit, and mystical qualities of Scotland.
Our consumer research indicated that demonstrating Scotland’s spirit was one of the most evocative ways that we can express what makes Scotland worth visiting.
The campaign included targeted TV, digital, and print marketing activities. We distributed our content worldwide through social and digital channels, capitalising on our refreshed consumer website and revitalised email marketing activity.
We created an advert that featured a specially commissioned soundtrack, performed by the Royal Scottish National Orchestra plus stunning cinematography, aiming to truly stir the soul.
Using the full range of marketing activity, we inspired more potential visitors than ever before. At a regional level, it encouraged people to search for more information on specific locations throughout Scotland.
The campaign video has got over 238,000 organic views. "Scotland, a Spirit of its own" was the base layer that everyone could build upon. The success of generating incremental visits to Scotland and growing the visitor economy rested on how we all worked together to show our enduring "spirit".
Campaign launch: 2015
Core audience: North America, Germany, France, Australia, and the Middle East
Based on the "Meet the Scots" concept, this campaign used 23 "Scots" ambassadors who each represented a different theme associated with Scottish tourism such as food and drink, Scottish culture and the activity or event sectors.
The aim was to shine a light on our welcoming people and authentic experiences. We identified that our international audiences were seeking genuine experiences whilst on holiday and would relate to these themes.
Research indicated that 72% of our European audiences were driven to choose Scotland as a holiday destination due to the welcoming, local people. Including real people in our campaign helped to create the authenticity and connection that would so clearly appeal to these audiences.
At its core the Meet the Scots campaign featured an online calendar where each month was introduced by a different Scot and associated with a theme such as Celtic January or Whisky May.
The aim of this content was to increase the uptake of touring holidays, promoting all areas of Scotland and encouraging repeat visits.
It was a multi-touchpoint campaign with a significant bias towards online promotion. This aligned with a strong PR programme and supported by e-newsletter communications, social media promotions, brochure fulfilment and an intermediary marketing programme.
Scottish tourism businesses were supported through our content and PR programme. Industry partners for this campaign included:
United
Qatar
CIE Tours
Lufthansa
KLM
Germanwings
DFDS Seaways
Campaign launch: 2013
Audience: UK
The Brilliant Moments campaign highlighted the personal experiences of the people visiting Scotland and celebrated the many events of 2014, the Year of Homecoming.
The aim of the campaign was to encourage a sense of immediacy and inspiration, and to communicate that Scotland is closer than you think.
The campaign was aimed at Scots who love travelling but had not seen enough of their own country, and those in England who always wanted to come to Scotland but just hadn’t got around to it.
We ran extensive marketing activity including inspiring TV adverts, direct mail, radio, outdoor adverts, sales promotion, print advertising, e-communications, and PR, all under the Brilliant Moments theme.
Brilliant Moments continued into 2015, the Year of Food and Drink. Three new TV adverts made up of well-loved scenes from previous adverts as well as brand new scenes.
The three adverts were set to a new version of the emotive track Senses by Paul Mounsey and featured a voiceover from Neil Oliver. The adverts played on television screens across the UK and reached new international audiences through social media and email.
We worked with transport partners to amplify the campaign reach and coverage, including British Airways, Caledonian Sleeper, and Virgin East Coast.